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The exhibition takes the form of a diorama, somewhere between a dressing room and a storage space, a backstage set and a ghostly dressing room, evoking the idea of a storage area for a performance yet to come: a remake that combines the codes of the stage and choreography with the setting of the visual arts. Spotlights, beanbags and coat racks become avatars of an installation to be activated, one that viewers are invited to enter.

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Excerpt from Frédéric Emprou’s text
“Christelle Familiari reformulates herself, and so do her intimates”